Especially if your message is in all-caps and seething with hate. Champion song rating free#Feel free to start a discussion with me on social media, as there’s probably nothing I’d enjoy more. You might be shocked, however, to learn that some of Dylan’s best work occurred when he was well over the hill and his original Boomer fanbase had become grandparents.īut because no two Bob Dylan fans ever fully agree on Bob Dylan, I understand the vein-bursting rage some of you may experience upon reading this list. This list seeks to be a more honest look at Dylan’s career, as far too many listicles weigh heavily in favor of the ’60s at the expense of subsequent decades, perhaps out of deference to long-standing clichés that Dylan the Protest Folkie and Dylan the Inventor of Modern Rock ‘n’ Roll are the only Dylans who matter. Some key criteria considered for this venture: level of songwriting, lyricism, and instrumentation critical and commercial success importance within the context of Dylan’s overall discography lasting influence on other artists and general fan consensus based solely on having a finger to the wind of online and print conversations about his career. To celebrate his graceful march onward into advanced years, I’ve decided to look back upon his awe-inspiring career and rank each album, from best to worst. So let’s hope it stays a harmless NFL hype song, and that her subsequent singles and album won’t carry this influence–because this, friends, is not Carrie Underwood, and it shows.Bob Dylan, one of the greatest and most influential songwriters of all time, turns 75 on Tuesday. The problem is it doesn’t fit Carrie Underwood in the slightest. If this comes to country radio, again, obviously it’s a different story, but for now, Ludacris is not the problem with this song. Carrie Underwood doesn’t even sound comfortable singing this–which almost makes too much sense since she doesn’t ever sing stuff like this…but I digress.īut I don’t want to focus too much on Ludacris, for if this does stay a sports anthem, or even if it goes to pop radio, there won’t really be an issue with him. The voice that gave us the stunning tribute to country’s fallen greats and the Las Vegas victims on live television should not be forced into these boxes in some sort of misguided effort to stay relevant.Īnd what about the part of Ludacris in all this? Well, admittedly, the spelling out of “champion” is a bit irritating, but his part actually comes off better than Carrie’s, and well it should, because Ludacris is at least in his lane here. And let’s hope this is a standalone single and not some horrifying glimpse into the sound of her next album country pop is one thing, straight pop is another, but singing pop infused with hip-hop phrasing and beats is on quite a different level and does not suit the particular vocal quality and talents of Carrie Underwood. This is Underwood’s best quality, and it’s being utterly ignored here. Carrie Underwood is better, and indeed, this song could have been better even for what it is had her voice been allowed to shine. This song relies on rhythm, except for one or two spots before the chorus where you hear Carrie break free and subsequently weep for the fact that her voice is kept constrained to these four or five notes and choppy rhythms. What should be a surprise, however, and should be met with disgust by all Carrie Underwood fans everywhere, is the absolute butchering of a world-class voice by one, distorting and transforming her to sound almost robotic, and two, by forcing her to sing something so lacking in any measurable melody. She’s never been holding the torch for traditional country, even if she’s been a beacon of talent in the mainstream, so it shouldn’t be a surprise to anyone that this single favors electronic beats over fiddle and steel. Carrie Underwood has never claimed to be strictly country, has always released pop singles, and has even sent songs to pop radio. Obviously it’s pop and has no shred of country in it whatsoever, and if it gets serviced to the country airwaves, this will be another problem altogether, but for a moment, let’s ignore this because of the artist in question. I could take it or leave it I guess, but it serves its purpose and isn’t really hurting anyone at all with is existence.īut let’s now view this as a Carrie Underwood song, and actually, let’s not even take into account that it might be sent to country radio. The lyrics are generic, but maybe this is also what you need, just something to hype people up for the Super Bowl. Carrie Underwood and Ludacris are a terrible pair on paper, but maybe I can see appealing to a wider audience with this collaboration. So let’s assume this song stays a sports thing.
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